GMP reduces renewable energy premium for customers by 25%

first_imgIt just got a little cheaper for Green Mountain Power customers to support new renewable energy. The Vermont Public Service Board approved GMP’s request to lower the premium its customers voluntarily pay to support the development of renewable energy in Vermont. Under the GreenerGMP program, customers can now opt to pay three cents per kilowatt hour more than their normal rate to support renewable energy projects. The fee had been four cents per kWh.”Our GreenerGMP program gives our customersthe opportunity to support Vermont renewable energy projects. By lowering the cost, we hope that more customers will be able to participate,” said GMP president and chief executive officer Mary Powell.Funds generated by GreenerGMP are used to support the methane gas project at the Moretown Landfill and biomass at the McNeil plant. In addition, beginning this spring, funds will support a farm-based methane digester in Westminster, Vermont.Green Mountain Power supports renewable projects by purchasing the power and the Renewable Energy Credits they generate. Green Mountain Power recently negotiated lower priced Renewable Energy Credits from projects supporting the program and wanted the GreenerGMP rate to reflect that.”Green Mountain Power is looking at many ways to increase renewable generation in Vermont. Participating in GreenerGMP gives our customers a way to act on their own commitment to reducing greenhouse gas emissions and helps support the development of new projects in Vermont,” said Ms. Powell. “We hope to add new resources, such as wind and solar, in the near future,” she added.Under the GreenerGMP program, the Company purchases certified renewable Vermont resources equal to 25%, 50%, 75% or 100% of a customer’s electricity use as directed by the customer. Under the approved renewable energy rate of three cents per kWh, a residential customer with a $76 monthly bill would pay an additional $3.75 per month to have one-quarter of his or her usage come from renewable energy.About Green Mountain PowerGreen Mountain Power (www.greenmountainpower.com(link is external)) transmits, distributes and sells electricity and utility construction services in the State of Vermont in a service territory with approximately one quarter of Vermont’s population. It serves more than 200,000 people and businesses.COLCHESTER, VT–(Marketwire – April 10, 2009) –last_img read more

Recent Posts

  • Tickets Now On Sale for Off-Broadway Return of Soul Doctor

    first_imgTickets are now available for the off-Broadway return of Soul Doctor. The musical, which features music by Shlomo Carlebach, lyrics by David Schechter with additional lyrics by Carlebach and a book by Daniel S. Wise, will begin at The Actors Temple on November 25. Opening night is set for December 14. View Comments Show Closed This production ended its run on Jan. 25, 2015 Casting for the off-Broadway production will be announced at a later date. The tuner, which originally premiered in the summer of 2012 at the New York Theatre Workshop, played Broadway’s Circle in the Square Theatre in 2013 with a cast led by Eric Anderson and Amber Iman. Soul Doctor The bio-musical tells the story of the beloved yet controversial father of popular Jewish music, rabbi Shlomo Carlebach, and his friendship with legendary jazz singer Nina Simone. As a “Rock Star Rabbi” of the 1960s, Carlebach struggled to harmonize his traditional beliefs with the “free love” generation. Related Showslast_img read more

  • Cherry Jones & Bradley Whitford Join Hank Williams Biopic

    first_img The film will explore the life of the country singer, from his upbringing in southern Alabama, to his success with such hits as “I’m So Lonesome I Could Cry,” “Love Sick Blues” and “Move It On Over,” to his death at the age of 29 in 1952. Tony winner Cherry Jones and stage and screen star Bradley Whitford have signed on to appear in the Hank Williams biopic I Saw the Light. According to The Hollywood Reporter, Jones will play Lillie, Williams’ mother, and Whitford will play Nashville music publisher Fred Rose. They join Tom Hiddleston, who will play the music icon, and Elizabeth Olsen as his wife, Audrey Mae Williams. I Saw the Light, scheduled to premiere next year, is currently filming in Louisiana. The cast will also include Wrenn Schmidt and Broadway alums David Krumholtz, Josh Pais and James DuMont. Jones took home Tony Awards for her performances in Doubt and The Heiress. She was also nominated for Our Country’s Good, A Moon for the Misbegotten and her most recent Broadway appearance: The Glass Menagerie. An Emmy winner for his performance as Josh Lyman in The West Wing, Whitford has appeared on Broadway in A Few Good Men and Boeing-Boeing. View Commentslast_img read more

  • Michael C. Hall Will Temporarily Return to Hedwig and the Angry Inch

    first_img Related Shows View Comments Show Closed This production ended its run on Sept. 13, 2015 Michael C. Hall will pull the wig back down from the shelf beginning February 17 when he returns to Hedwig and the Angry Inch. The show’s current headliner, co-creator and original star John Cameron Mitchell, will bow out for one week to recover from his previously reported knee injury. Mitchell is expected to return to the Belasco Theatre on February 24. Hall is best known for playing serial killer Dexter Morgan in Showtime’s Dexter, earning a Golden Globe Award and five nominations as well as six Emmy nods. Before putting on the fishnets the first time around, Hall appeared on Broadway in The Realistic Joneses, Cabaret and Chicago. Off-Broadway, his credits include Mr. Marmalade, Cymbeline, Macbeth, Timon of Athens, Henry V, The English Teachers, Corpus Christi, Romeo and Juliet and Skylight. In addition to Dexter, his screen credits include HBO’s Six Feet Under and the films Cold in July and Kill Your Darlings. Written by Mitchell and directed by Michael Mayer, Hedwig and the Angry Inch tells the story of a fictional rock ‘n’ roll band, fronted by Hedwig, a transgender rock goddess from communist East Berlin. Between rock songs, Hedwig regales the audience with both humorous and painful stories about her life, including her botched sex change operation. The score by Stephen Trask features “Tear Me Down,” “Wig in a Box,” “Wicked Little Town,” “The Origin of Love,” “Angry Inch” and more. The production also features Lena Hall, who took home a Tony Award for her performance as Yitzhak. Hedwig and the Angry Inchlast_img read more

  • Chita Rivera & An American in Paris Among Drama League Award Winners

    first_img View Comments The Visit headliner Chita Rivera received the prestigious Distinguished Performance Award at the 81st annual Drama League Awards on May 15. Rivera was one of 47 nominees for the top honor, which a performer can only win once in his or her lifetime. Additionally, An American in Paris, The Curious Incident of the Dog in the Night-Time and the revivals of The King and I and You Can’t Take It With You were presented with trophies.Prior to The Visit, Rivera was seen on Broadway as The Princess Puffer in the revival of Rupert Holmes’ The Mystery of Edwin Drood. She earned Tony Awards for two other Kander and Ebb musicals: The Rink and Kiss of the Spider Woman. Her performance as Claire Zachanassian in The Visit marks her tenth Tony nomination; her previous nods include Chita Rivera: The Dancer’s Life, Nine, Jerry’s Girls, Merlin, Bring Back Birdie, Chicago and Bye Bye Birdie.The ceremony was hosted by Hand to God star Steven Boyer. Neil Patrick Harris, who took home the Distinguished Performance Award last year, served as this year’s presenter for the honor. Zachary Quinto presented the four production awards. The ceremony also honored legendary performer Joel Grey, director Stephen Daldry and WNET’s Neal Shapiro and David Horn.Distinguished Performance AwardChita Rivera for The VisitDistinguished Production of a MusicalAn American in ParisDistinguished Production of a PlayThe Curious Incident of the Dog in the Night-TimeDistinguished Revival of a MusicalThe King and IDistinguished Revival of a PlayYou Can’t Take It With Youlast_img read more

  • Odds & Ends: Benjamin Walker Lands Shrink Role & More

    first_imgHere’s a quick roundup of stories you may have missed today. Benjamin Walker Lands (Another) Dark ComedyBenjamin Walker, who is rumored to return to Broadway soon in American Psycho, has been tapped to lead the upcoming dark comedy Look Away, according to The Wrap. As previously reported, the film will also star Matthew Broderick, Chloë Sevigny and Shannon Tarbet. The movie follows a woman, played by Tarbet, who suffers with selective blindness. Walker will play her psychiatrist Farmer Smithson, who has a mild form of Asperger’s. Production for the film began earlier this month.Russell Tovey & Douglas Hodge Join The Night ManagerBroadway alum and Looking star Russell Tovey and Tony winner Douglas Hodge have boarded BBC One and AMC’s The Night Manager, reports Variety. The miniseries, based on the 1993 novel of the same name by John le Carré, will star Tom Hiddlsteon, Olivie Colman, Hugh Laurie, Elixabeth Debicki and Tom Hollander. It is set to air next year and follows a hotel manager who is enlisted to help an intelligence agency take down an international arms trade. So, given the subject matter, we suspect Hodge won’t be singing “I Am What I Am” in drag in this one.A Kinky Father’s Day GiftIn honor of Father’s Day, take a listen to Tony and Grammy winner Cyndi Lauper performing the original 2009 demo of “I’m Not My Father’s Son” from Kinky Boots. The tune was one of the first that she penned for the score. It may not be the most appropriate message for a day honoring fatherhood, but it’s still poignant. And, let’s be real. Red drag queen boots make the perfect Father’s Day gift. So much better than a tie or mug. Benjamin Walker Star Filescenter_img View Commentslast_img read more

  • Casting Announced for Alan Hruska’s Laugh It Up, Stare It Down

    first_img Laugh It Up, Stare It Down Related Shows Broadway alum Katya Campbell and more have been tapped for Alan Hruska’s Laugh It Up, Stare It Down. Directed by Chris Eigeman, the new play will begin previews on August 26 with opening night set for September 9 at off-Broadway’s The Cherry Lane Theatre.Joining Campbell (Disgraced) in the cast will be Jayce Bartok (Made In Poland), Maury Ginsberg (Mother Courage and The Cherry Orchard) and Amy Hargreaves (Homeland).Laugh It Up, Stare It Down tells the story of Cleo and Joe—the meeting of their minds, the entwining of their hearts, and their life-long search for a meaningful point in a universe too random to have one. It’s a journey marked by a missing baby, a forged painting, a house invader, a tidal wave, and frozen pistou. Will they rise above their outrageous fortune? Will they find ecstatic love?The production will feature scenic design by Kevin Judge, costume design by Jennifer Caprio, lighting design by Matthew J. Fick and original music and sound design by Peter Salett. View Comments Show Closed This production ended its run on Oct. 10, 2015last_img read more

  • Thriller Live Star Haydon Eshun on Seven Years of Singing Like Michael Jackson in the West End

    first_img View Comments Now in its seventh year at the Lyric Theatre, Thriller Live has become a West End mainstay and a focal point for fans of Michael Jackson, who died not long after the show opened in January, 2009. Few get to acknowledge the superstar’s legacy more buoyantly than lead vocalist Haydon Eshun, who is among the performers that rocks out to more than 25 songs each night. A former member of the British boy band Ultimate KAOS, the delightful Eshun spoke to Broadway.com about “Michael-isms,” keeping it fresh and whether he’ll make the move to Motown.How long have you been with Thriller Live?I have! I joined the West End company in September 2009, not long after Michael had died, and the longest I’ve had off since then is two weeks. I actually renewed my contract to take me through to late November of this year. I’ve loved every minute of being here.The Lyric Theatre must be like a second home.In some ways it’s more like a first home since I’m here more than I seem to be at my own home in Camden. Being here six days a week year in and year out, this theater has become my home.And you never get bored?You know, this feels like something I could do forever—singing timeless music in a great production. At this point, I could see myself going away and even coming back. A lot of people from this show say that they do miss it once they leave; I think it will always be close to my heart.What’s your personal feeling about Michael Jackson’s music?There are so many great songs: “Rock with You” and “Wanna Be Startin’ Somethin’.” But I think my favorite song in the whole show would have to be “Human Nature.” That one is just magical, and it moves me a lot.It sounds like quite a workout!You do lose a lot of weight doing it! I mean, I do still go to the gym, and people there ask me why I’m bothering when I’ve got this in the evening. But I think it just keeps you fit and focused, mentally and physically. There’s a lot of discipline that goes into performing on the West End.Do you feel yourself moving ever closer to Michael Jackson’s style with each passing year?It’s actually difficult in this show not to do his moves, so I do do a lot of “Michael-isms” onstage. I’ve found as the years go on that you tend to adopt his sound and style, especially that voice: he always sang his songs in a great key.I gather this was actually your West End debut.Yes, and who’d have thought that my West End debut would turn out to be a show that I will have been in for seven years! I just got addicted to the music and to being onstage and performing every day.It must be amazing seeing the adoration that Jackson’s legacy continues to elicit.Yes, there are diehard fans out there for Michael who always come and support the show and you really get a feel for that when you sing something especially moving like “Man in the Mirror” or “Human Nature.” Every year we do a tribute to his life on his birthday where we perform at an even greater level, almost as if he were in the building.Have you had any involvement with his siblings?All the brothers have come to see the show, and Tito has been three times now. I actually performed two shows with him last September and we’re hoping to do another two in March.What about your own recording career, given that you were part of a well-known British boyband [Ultimate KAOS} when you were only nine?When I first started Thriller Live, my manager said to me, “You can go into a studio during the day and do the show at night.” But that lasted a week. After eight shows, I just want to stay in bed.Part of you must be asking, “What’s next?”I’d definitely like to get into other shows like a Motown or Dreamgirls or The Lion King. But for now, at least, I’m excited about doing this for one more year and going on from there.I suppose Motown would be the logical sequel of sorts.I actually met with Berry Gordy just to say hello. I know a few people who are going into that show [in London], but I wanted to stick it out one more year with Thriller Live before I embark upon my new journey.last_img read more

  • Matthew Seadon-Young on Playing Gerry Goffin in London’s Beautiful & More

    first_img View Comments Matthew Seadon-Young’s London musical credits include Billy Elliot, Urinetown and Les Miserables and now the ebullient performer is playing the American lyricist (and onetime husband of Carole King) Gerry Goffin in Beautiful at the Aldwych Theatre. A relatively new recruit to a production heading into its third year in the West End, Seadon-Young took time recently to talk about the great American songbook, performing at the Oscars and what it’s like having an older brother who is in the exact same profession.How does it feel to be part of Beautiful in London?It feels good. I remember years ago being in the car with my mum listening to various tapes and one of them was “Take Good Care of My Baby” [written by King and Goffin] and thinking, “Those songs were just so big,” and now I get to live with them eight times a week.Did you know the show before you took over in it?The first time I saw it, I had a friend—Andy Coxon—who was understudying [songwriter] Barry Mann, and me and a bunch of friends came to support him. I wasn’t sure I was going to enjoy the show all that much but came away thinking, “That was a very classy show and so well put together—what about trying to get me in for an audition!”Did you get one?It wasn’t available at the time. What later happened was that my brother, David, had gone in to audition for Beautiful, and then he got another job, so he couldn’t do it and I thought it might be worth going in myself. I found myself attracted to the part of Gerry—something about the story made me feel I was connected to him.Did it feel like a bit of a slow burn then as far as landing the role?A slow burn that got hot very quickly! The last few weeks all happened so quickly—all of a sudden, there I was on the Aldwych stage. Did you have any reservations about taking over a role originated by someone else?I’ve done [takeovers] a couple of times now, first with Les Miz and then with Billy Elliot, and there’s always that aspect of just retracing someone else’s footsteps and the various marks that you have to hit—the lighting cues and all that sort of thing. At the same time, I very much feel that the thoughts that get you there with any role are inevitably your own, so even though you may have seen another actor do the part, you’re still reaching the character’s thoughts and words for yourself. So, while there are some rules that you do have to follow, ultimately you have the freedom of your own discovery of the role and your own way into those thoughts. What is it like representing onstage someone who was very much alive until quite recently [Goffin died in June 2014]?My feeling about that is that I am not physically embodying Gerry as much as I am trying to help the audience understand what he was going through, so that they can empathize with his choices because it would be very easy to make Gerry unlikable simply because of some of the choices he made and the things that he said. I think I’m there to make the audience see that when Gerry says some of these things, he isn’t actually himself and he has these various issues. It’s about people knowing that he isn’t a bad guy, but, in fact, a good guy who made mistakes. Isn’t the challenge in the piece that Gerry has to be seen to move aside in order for Carole to shine? Absolutely but the point is that Carole’s journey wouldn’t be so good in this show without Gerry: he may get chucked aside at the end, but if that didn’t happen then we wouldn’t love Carole as much as we do. I think you need to see both characters and the journeys they take. Were you at all apprehensive only because you couldn’t check your performance against personal experience of the man himself?That’s true, but I feel like what I do is take the words I am given and try to be truthful to those words and to what the character’s going through. If you do the right sort of research for the issues Gerry was having—his nervous breakdown, for instance—then with any luck you are doing this human being justice. It’s about getting people to understand what Gerry was going through as opposed to trying to be like him or not to be like him. Did your predecessor, Alan Morrissey, offer any advice? Alan was lovely! As soon as it was announced that I was coming into the show at the end of November, he sent me something on social media saying, “If I can help with anything transition-wise, I’m more than happy to help. He also gave me a bottle of Gerry’s favorite whiskey and a Texas Hold’em poker set: there’s a brilliant scene in the show in Vermont where the four characters are playing poker, so that was a really nice thoughtful gift. He also sent me a lovely good luck card. I’d love it if he comes to watch the show, so we can talk about the character; maybe if he’s reading this, he will come see [Beautiful], and we can go for a drink.Was it fun performing at the Oscars in 2013?We were out there for eight days all told but I can’t say it was all that glamorous, unfortunately. What was great was that I got to tell [host] Seth [MacFarlane] how much I love him and I could do the crazy fan thing, and it was incredible to be there as part of the Les Miz segment and on a stage with Hugh Jackman and Russell Crowe and Anne Hathaway and Eddie Redmayne. [Brother] Dave was part of it as well, and if you look online there’s loads of footage of him standing right behind Eddie Redmayne!What is it like having a brother so near to you in age [the siblings are one school year apart] who is in the same profession? Well, it might not sound like it, but the last thing it is is competitive. We’re actually very different performers and have very different casting brackets. Six years ago, for instance, I went up for Les Miz as my first job out of college and I got it, and he missed out. It may sound like I’m bragging that I got the part and he didn’t, but since that time, the only other role we’ve both gone up for was Gerry, and that was at two separate times. When Assassins came up at the Menier, that was one of my favorite musicals of all time, but I couldn’t do it because I was in Urinetown on the West End, so Dave got the part and then while he was doing Assassins, I got a job in Sweeney Todd, which is one of his favorite musicals. So, he ended up being in one of my favorite shows just as I ended up in one of his. He’s coming up soon on the West End in An American in Paris.Have the two of you ever thought of appearing together in a show?There was something put out on Twitter nominating Dave and me to play the two leads in Side Show, but Dave didn’t know the show and phoned me up and said, “Could we play those roles?” and I said, “No, Dave, they’re female—it was a joke.” Are you both finding there’s enough work out there to go around?There seems to be, knock wood, but when I’m not working, I do construction work as a welder-fabricator helping build film sets, which is what my dad does: he was production coordinator on [the film of] Les Miz. It’s at moments like this that I want to thank Nigel, Sid and the boys because they are the guys I work with in construction, and whenever I finish a theater job I go back and work for them. It’s great, really, I couldn’t ask for more: when I get a job, they let me go off but they embrace me when I finish and come back to work with them. Cassidy Janson & Matthew Seadon-Young in ‘Beautiful'(Photo: Brinkhoff Moegenburg)last_img read more

  • Kid Victory’s Brandon Flynn Talks RuPaul’s Drag Race & More

    first_imgBrandon Flynn(Photo: Emilio Madrid-Kuser) Related Shows View Comments Age: 23Hometown: Miami, FLCurrent Role: Kid Victory star Brandon Flynn plays Luke, who return home to his small hometown after a harrowing experience that results in an unlikely friendship.Stage & Screen Cred: Flynn makes his off-Broadway debut in Kid Victory. His other stage credits include Our Town, An Oresteia, Henry V, Acting is Believing and Ivona, Princess of Burgundia. On screen, he appeared in CBS’ BraindDead  and will be seen in Netflix’s upcoming series 13 Reasons Why on March 31.center_img Kid Victory Show Closed This production ended its run on March 19, 2017last_img read more

  • Pruning Azaleas.

    first_imgAzaleas are a special delight in Georgia. But not everyone knows how to prune themcorrectly. On “The Georgia Gardener” June 17 and 19, host Walter Reeves willtalk with Parker Andes at Callaway Gardens on how they prune their thousands of azaleas.Reeves will talk with Helen Phillips, too, about the herbs she cultivates in theCallaway Gardens herb garden. And he’ll demonstrate various digging tools and show howthey differ.”The Georgia Gardener” is designed especially for Georgia gardeners. It airsThursdays at 7:30 p.m. and Saturdays at 10 a.m. on GPTV.The show is a production of the University of Georgia College of Agricultural andEnvironmental Sciences and PFC Holding Company.last_img read more